An unequivocal tale of a relationship between a police officer and a convict in charge of his execution. A bonding that leaves an impact long after the movie is over. However the movie could have done without the extra super natural elements that somehow take away the effect of realism that was otherwise deftly interwoven into the screenplay.
In an isolated home for the aged, Paul Edgecomb reminisces about his days as a prison guard at the 'Green Mile' in 1935 during the days of the Depression. His is a dull unhealthy life with only spice being the skirmishes at work, until John Coffeeman, a gargantuan man convicted of raping and killing two young girls comes into the prison. Paul learns of John's "magical" power - the power to heal, and from then on starts a special relationship of trust and respect between the two. As it turns out John isn't
guilty of the crime. Paul, despite knowing this, adheres to the call of duty. The sub-plot includes some excellent cameos by Dayle, a demented convict who befriends a rat and Percy, a nagging police guard who 'knows the right people'. Tom Hanks, as Paul Edgecomb, underplays his role. He could have done more to make his presence felt.
Director Frank Darabont's excellence lies in his detailing and sometimes even gripping scenes of the execution by the electric chair. Based on Stephen King's novel, the movie could have done better with a shorter duration and some crispy editing. If you're into sensitive melodrama, this is for you.
Maheen Abdul
