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Kanjira vidwan Mayavaram Somasundaram Carnatic

A quintessential accompanist, Mayavaram Somasundaram, the octogenarian kanjira maestro, believes in supporting the main artiste and the mridangist.

A brilliant star from the Isai Vellalar community, he has made his home town Mayavaram proud by elevating the status of kanjira to international standards.

Music courses through his veins as he belongs to a family of musicians. Why did he choose kanjira? "I simply love the instrument and am fascinated by it," declares Somasundaram, affectionately called Somu.

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மீனா, நயன், பசுபதி, விளக்கம்
'நான் கடவுள்' இளையராஜா
கமல் திருப்பி தந்த அட்வான்ஸ்

He learnt mridangam first and then switched over to kanjira. His training under Thirumullaivayal Muthuvir Pillai, a renowned tavil maestro, and Kuthalam Siva Vadivel Pillai, a famous mridanga vidwan, made him absorb the different styles and he evolved a new style for himself.

He enjoyed the halcyon days of apprenticeship and he was exposed to different aspects of laya. His long slender fingers speak about his asura sadhakam.

Somu's maiden performance was at Chennai when he accompanied iconic M K Thyagaraja Bhagavathar. This young talent was spotted by the luminaries of the music world and he was asked to accompany them.

Somu's steadfast parternership with the legendary Madurai Somasundaram, the vocalist will be etched in our memory forever. "Madurai somu will look fresh even after long hours of travel," states Kanjira Somu. "His concerts will extend after midnight which show his sheer excellence of virtuosity."

"Madurai Mani Iyer will get offended if he is asked to finish the concert, for the tempo will set in after an hour or so," laughs Somu.

He had a good rapport with all musicians. Is there any musician he has not accompanied? He has the unique distinction of accompanying four generations of musicians.

Somu feels that it is very difficult to play for Thirupugazh as it is a storehouse of talas.

One should cultivate a taste for laya as it is an integral part of music, admits Somu. This laya exponent feels that we should command tala and not vice versa. The percussionists should play in consonance with the main artistes and should not
strike discordant notes.

"We should be prepared to play impromptu only then our talent will surface," advises Somu.

Many dancers seek his advice on laya. Somu lays emphasis on kelvi gnanam as it will make perfect one's techniques. He has travelled throughout the world and conducts classes In London.

He has been honoured with several awards including 'Laya Selvam' and the 'Kalaimamani'. He trains several students at home in Mylapore, Chennai.

Somu has redefined the art which is paramount to him.

Mira
More Articles Published on June 27th, 2007


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