In the sphere of Carnatic music, the name Lalgudi G.J.R.
Krishnan is instantly associated with melody, rhythm, masterly technique
on the violin and overall musical excellence. Born in the lineage of an
illustrious disciple of the great Saint and Composer Shri Thyagaraja, he
was meticulously groomed to musical perfection by none other than Shri
Lalgudi Jayaraman, the internationally acclaimed musical genius and violin
maestro. Raised thus in an atmosphere redolent with music, Lalgudi
Krishnan has imbibed the very essence of Carnatic classicism.
In Carnatic music, tradition accords a primary position
to the role of the vocals. At a time when violin playing was still in its
infancy, Padmashri Lalgudi Jayaraman revolutionised instrumental music in
two major ways – first, by inventing a whole new technique that is
designed to best suit the needs of Indian Classical Music, he elevated the
quality of violin playing to perfection. Secondly, he established a unique
and individualistic style that has come to be known as the Lalgudi Bani.
This style comes closest to reproducing vocal music, and thus judiciously
combines tradition with innovation. Lalgudi Krishnan absorbed this unique
style, and is one of the leading exponents of instrumental Indian
Classical Music today.
Lalgudi Krishnan began his early lessons on the violin
at the age of five, under the tutelage of his grandfather and guru Shri
Lalgudi Gopala Iyer, and later from Shri Lalgudi Jayaraman. The artiste in
Krishnan first came into public view with his debut in 1973, at the young
age of thirteen. He soon won widespread acclaim and a delighted fan
following that has swelled over the years. He is an A-grade artiste with
the All India Radio. He has also given several performances on Doordarshan,
the national television network.
In addition to his violin duet and trio performances
with Shri Lalgudi Jayaraman and Lalgudi Vijayalakshmi, Krishnan has also
been featured in several Jugal Bandhi concerts with Hindustani musicians.
Lalgudi Krishnan has performed many a time with North Indian
instrumentalists in Jugalbandhi concerts (fusion with Hindustani
musicians) both in India and also in the USA. They were appreciated highly
by the music lovers for the sensitivity and novelty. Krishnan has the
temperament and the openness to experiment with Western musicians as well.
He has also performed in the role of an accompanying violinist with many
leading vocalists and instrumentalists such as Shri Semmangudi Srinivasa
Iyer, Shri. T.N. Seshagopalan, Shri. Maharajapuram Santhanam, Shri. T.V.
Sankaranarayanan, Shri. D.K. Jayaraman, Shri. Nedunuri Krishnamurthy, Dr.
N. Ramani and Shri Voleti Venkateswaraulu.
Krishnan’s music represents the quintessence of the
Lalgudi style and is a delight to the finer senses. His music is
characterised by pristine purity, lucidity, superb clarity, melody,
perfect rhythm and a deep emphasis on the sahitya. He has performed all
over India and abroad, always receiving rave reviews. He has given
concerts in Singapore, Malaysia, Hong Kong, Italy, West Germany, the
U.S.A., Canada the Middle East and Greece. He has also participated in the
Festivals of India held in the U.K. (1983), the U.S.A. (1985) and the
former Soviet Union (1988).
In addition to their individual musical performances,
the brother-sister pair has performed innumerable violin duets all over
India and abroad. They have endeared themselves to audiences the world
over through their immaculate performances. In 1990, they toured the
United States of America for a period of three months and gave about 22
concerts in major cities all over the US. This was a highly successful
tour and served to firmly establish the Lalgudi Duo in the minds of
Carnatic Music lovers in America. Another successful tour of the US came
in 1993, when the trio of Shri. Lalgudi Jayaraman, Krishnan and
Vijayalakshmi took audiences by storm.
In November ’94, the trio performed in Australia
which was highly successful. In 1996, Krishnan and Vijayalakshmi performed
in 33 cities in the USA and Canada, all of which were a roaring success.
In 1998, Lalgudi G.J.R. Krishnan won unanimous acclaim from the audiences
in the USA and Canada where he performed Violin solo concerts in 16
cities. In 1999, Krishnan toured the US & UK with his illustrious
father & sister and the tour was a roaring success.
The rigorous training that he has had, combined with
his won prodigious talent and aptitude, has made Krishnan the recipient of
several awards, including the Jaycees award in 1981, the Best Violinist
award in 1986 from the Music Academy in Madras; the Yuva kala Bharathi
from Bharat Kalachar in 1987, the creatalent award in 1990, the
prestigious ‘Isaipperoli’ from Kartik Fine Arts, Madras in 1992, the
‘Rajamanickam Pillai Memorial Award’ from Sriragam Fine Arts in 1997
and the Rotary Award for Vocational Excellence for 1997 from Rotary Club
of Nanganallur. In August 1998, GJR Krishnan was conferred the coveted
title ‘Sangeetha Choodamani" by Sri Krishna Gana Sabha, Chennai.
Recently in September 1998, Krishnan received the "Kalki
Krishnamoorthy Memorial Award" at Chennai in the Kalki Krishnamoorthy
Centenary Year from the ‘Kalki Krishnamoorthy Memorial Trust’.
The brother-sister pair has released several cassettes
and CDs together in addition to their individual endeavours. Twin Bows of
the Lalgudi Tradition, ‘Lalgudi Legacy continues’, ‘Majesty in
Melodies’, ‘Vibgyor on Violin’ and recently a record ‘Rama Bakthi’
released by the HMV are worth special mention. In addition, Krishnan has
excelled academically as well. He is a Post - graduate in Commerce (M.Com),
a Cost and Works Accountant (I.C.W.A) and a Company Secretary (ACS). But
out of his love for music, Krishnan has chosen to pursue Music as his
profession.
What the press says:
"Krishnan played a heart-warming Bhairavi alapana
that bore testament to the fact that he cherishes values and fosters with
dedication the rich legacy that he has been privileged to inherit. The
sprightly rendering of Patnam Subramania Iyer’s ‘Garudagamana’ in
Nagarwaravali with an even sprightlier chittaswaram composed by Lalgudi
Krishnan struck the right chord." – THE HINDU
"There was artistry and demonstrative brilliance
in Krishnan’s portrayal of Sriranjani raga." – THE TIMES OF
INDIA
"Third generation Violinist and legatee to the
Lalgudi bani that lays stress on a richly modulated vocal style, G.J.R.
Krishnan reiterated at the Krishnan Gana Sabha on Dec. 21, not only his
musical inheritance but also an artistic, sensitivity that bespoke of
grace and restraint." - THE INDIAN EXPRESS
"Krishnan ‘bows’ to tradition and perfection.
The unique quality of the languid style is to create an illusion of
hearing the composition itself. Krishnan offered to orthopaedic and
cumbersome to the core like Dhemuka, Ganamurthi with extraordinary
finesse". – THE STATESMAN